Now that I’ve got your attention with my shamelessly clickbaity title, I mention below some observations from my recent reading. But the titular claim is not the only thing I could have used as clickbait! Below are discussions on a manuscript that contains the Comma Johanneum, facsimiles of the Chester Beatty papyri, and even a romance novel inspired by a manuscript!
Showing posts with label Codex Rossanensis. Show all posts
Showing posts with label Codex Rossanensis. Show all posts
Friday, January 15, 2021
Tuesday, March 27, 2018
Visual Proof of the Original Reading at Mark 1.1
In honor of our newest blog member who is an expert in all manuscripts purple, here is something I noticed last week in class.
It’s not uncommon for Gospels manuscripts to feature portraits of the Evangelists writing out the first line or so of their Gospel. Now, look closely at the text Mark is copying in this miniature from Codex Rossanensis/042 (6th cent.). Elijah can tell us more about the dating of the artwork from what is perhaps the earliest illuminated NT manuscript. This is clearly telling us what the original reading is there. We have visual proof!
Okay, I kid. But here is a serious question: should this be cited as an additional witness to the longer reading? Why or why not? (The text of 042 also has the longer reading, with τοῦ.)
It’s not uncommon for Gospels manuscripts to feature portraits of the Evangelists writing out the first line or so of their Gospel. Now, look closely at the text Mark is copying in this miniature from Codex Rossanensis/042 (6th cent.). Elijah can tell us more about the dating of the artwork from what is perhaps the earliest illuminated NT manuscript. This is clearly telling us what the original reading is there. We have visual proof!
Okay, I kid. But here is a serious question: should this be cited as an additional witness to the longer reading? Why or why not? (The text of 042 also has the longer reading, with τοῦ.)
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| Miniature of Mark in 042 |
Monday, March 26, 2018
New Contributor: Elijah Hixson
When I first started learning about textual criticism at seminary, textual criticism was not much more than one lecture on Romans 5:1 in intermediate Greek, and if you were lucky, an introductory course that was only taught once every few years. I had to wait a few years for the introductory course. My intermediate Greek professor pointed me to Metzger and Ehrman’s Text of the New Testament. After that, I found this blog and never stopped reading it. It was like drinking from a fire hose at first, but I am deeply thankful for all the posts and comments here over the years that have helped make me who I am. It is an honour to be a contributor to this blog.I recently finished my PhD at the University of Edinburgh under Paul Foster. James Snapp recently interviewed me about this research over at his blog, The Text of the Gospels, but I will give a summary of my research and results here. Like Alan Taylor Farnes, I too decided to test the “singular readings method”. Whereas Farnes did that with Abschriften, I took a closer look at the sixth-century purple codices 022, 023 and 042. Because these three manuscripts were copied from the same exemplar, I reconstructed the text of their exemplar in Matthew’s Gospel where that was possible.
Now, I know that scholars like Royse, Hernández and just about everyone else who uses the method are careful to qualify it—singular readings really tell us about the “complex scribe” not the actual scribe. Still, after a lengthy discussion of the matter, Royse concludes that the singulars are probably due to the actual scribe in most of the cases. His words are:
In what follows, consequently, I will speak of a manuscript’s “scribe” in the ordinary way, that is, meaning the person who actually wrote the manuscript. Discussions of the scribe’s handwriting or corrections, for instance, will obviously refer to this one person. And most of the singulars should, without doubt, be attributed to this person. (p. 55)In nuce, singular readings hypothetically could be from anyone, but they’re probably the work of the actual person who made the manuscript. If anything, singular readings tell us about the activity of the person who made the manuscript with some contamination from previous scribes in the line of transmission back to the archetype.
But is that really true?
By focusing on singular readings, one could include inherited readings from the exemplar and exclude non-singular readings created by the scribe. Those possibilities allow errors on both sides of the data. I set out to test the method in a three-tiered approach.
First, I went to all the places in Matthew where 022, 023 and 042 are all extant and compared orthography (ει/ι and αι/ε interchanges), unit delimitation, kephalaia and titloi, the Eusebian apparatus and textual changes. This comparison allowed me to build a preliminary profile of each scribe to help resolve issues reconstructing the exemplar later one where only two of the three manuscripts were extant. For example, the scribe of 023 is incredible and makes very few changes, but the scribe of 042 has a noticeable tendency to harmonise Matthew to Markan parallels. Therefore, if only 023 and 042 are extant—and they differ—, and one of the possibilities is that 023 preserves the text of the exemplar and 042 harmonises to Mark, then that is probably what happened (as opposed to 042 preserving the text of the exemplar and 023 making the change).
Second, I analysed the singular and family readings of each manuscript (readings unique to these three manuscripts). I did this to include “inherited singulars”. Of course, the inherited readings aren’t singular in my cases, but that is only because we have more than one copy of the exemplar. Stated alternatively for 022, I studied the singular readings of 022 as we would count them if 023 and 042 never existed. This modification best replicates the situation for any other early manuscript, like the early papyri studied by Royse.
Third, I reconstructed the 022-023-042 exemplar, analysed the changes each scribe made to the text and compared these numbers with what I got from the modified singular readings method.
The results? An analysis of singular (and family) readings of 022, 023 and 042 does not give accurate conclusions about the scribes who made them. In fact, if you add up the total number of singular and family readings from the three manuscripts, about two-thirds of them are inherited readings, not scribal creations. If you add up the total number of scribal changes in all three manuscripts, about two-thirds of them are non-singular. Instead of getting the habits of the actual scribe with a bit of contamination from the complex scribe, with the purple codices, the unique readings tell us more about the “habits” of the complex scribe with a bit of contamination from the person who actually wrote the words. I wonder if even that is accurate because of how many non-singular scribal changes went unnoticed.
Even though the method doesn’t “work” with 022, 023 and 042, it still might tell us something about scribal habits in the early manuscripts. Several of the changes I saw were instances in which scribes aligned the text to what would become the majority reading, and I don’t think that would be the case for the early papyri—certainly not as much. I’m not saying to throw the method out. It still tells us how manuscripts are unique, even if in these three instances it fails to tell us about scribes.
In the end, the project was a lot of fun. I learned a lot about three sixth-century witnesses to Matthew’s Gospel and their scribes. The manuscripts themselves are gorgeous—they were a good choice of manuscripts to spend 3.5 years looking at. I also highly recommend Byzantine manuscripts to people looking for thesis topics. Even though I am not a Byzantine prioritist myself (though I have the highest respect for our Silver-Haired Assassin), it is exciting to notice new things by working with manuscripts that have been largely neglected since their discovery and initial publication.
Wednesday, July 06, 2016
Codex Rossanensis Restored
The following is a guest post from Elijah Hixson. Elijah is currently writing his doctoral thesis on Codex Rossanensis and two other purple codices at the University of Edinburgh under the supervision of Paul Foster. When I saw last week that Rossenansis had recently be restored I asked Elijah if he would give us a quick intro to the manuscript. Enjoy!
Great news! Codex Rossanensis has been restored! It should be back on display in the Diocesan Museum in Rossano, Calabria, Italy by now. Codex Rossanensis is a sixth-century Greek purple Gospels manuscript included in the UNESCO Memory of the World Register. A recent article at The Realm of History by Dattatreya Mandal about Codex Rossanensis has been circulating online, and in light of the recent restoration of the manuscript, now seems to be a good opportunity to say a few words about this gorgeous treasure of Calabria.
The Realm of History article includes some excellent photos of Codex Rossanensis. From the photos, one need not wonder why Codex Rossanensis is known as one of the “purple codices”. These manuscripts were written in silver and/or gold ink on parchment that has been dyed purple. Purple dye was expensive, and the rich purple is a striking background against which the silver and gold inks glisten in the light. Even as the silver begins to tarnish, the words of the Gospels still radiate from their pages.
Great news! Codex Rossanensis has been restored! It should be back on display in the Diocesan Museum in Rossano, Calabria, Italy by now. Codex Rossanensis is a sixth-century Greek purple Gospels manuscript included in the UNESCO Memory of the World Register. A recent article at The Realm of History by Dattatreya Mandal about Codex Rossanensis has been circulating online, and in light of the recent restoration of the manuscript, now seems to be a good opportunity to say a few words about this gorgeous treasure of Calabria.
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| Christ as the Good Samaritan, Codex Rossanensis, f. 7v |
The Realm of History article includes some excellent photos of Codex Rossanensis. From the photos, one need not wonder why Codex Rossanensis is known as one of the “purple codices”. These manuscripts were written in silver and/or gold ink on parchment that has been dyed purple. Purple dye was expensive, and the rich purple is a striking background against which the silver and gold inks glisten in the light. Even as the silver begins to tarnish, the words of the Gospels still radiate from their pages.
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