Up-date: I'm just posting this again to keep it near the top. (There may be some sensible way of doing this, I'm just going to try to give it a date about three days in advance and see if that works).
As the end of the year approaches we invite our readers (yes, all three of you) to engage in a bout of critical reflection on the major text critical achievements of 2005. We invite nominations for awards in the following categories:
1. Best contribution to biblical textual criticism.
2. Best discussion of an individual manuscript.
3. Worst treatment of textual criticism in a biblical commentary.
4. Best evangelical contribution to biblical textual criticism.
5. Most arcane detail published in any text critical discussion.
6. Funniest item connected to textual criticism of the Bible.
7. Evangelical Textual Criticism Hall of Fame / Life-time achievement Award.
Nominations can be submitted (over the next 8 days) as comments or by email.
Friday, December 09, 2005
Wednesday, December 07, 2005
Barthélemy on Psalms
Apparently the posthumous fourth volume of Dominique Barthélemy's Critique textuelle de l'Ancien Testament is available now at a modest $239. It may have been out for some time, though I have not seen it.
Byzantine Palaeography
I've added the excellent site recommended by Peter Head on Byzantine Palaeography (aka Paleography) to the sidebar.
Tuesday, December 06, 2005
Housman, The Application of Thought to Textual Criticism
Since we have been blogging and commenting a fair bit on conjectural emendations (most recently More on Conjectures); I thought it would be good to link to the interesting, entertaining and otherwise-adjectivally-stimulating essay by A.E. Housman on “The Application of Thought to Textual Criticism” (originally given in Cambridge on the morning of Thursday 4th August 1921). See the text here.
Monday, December 05, 2005
A palaeontologist's view of manuscripts
Can a palaeontologist really work out how many copies of a work there have been? Has anyone looked at Cisne's work?
Ketiv-Qere in Ps 100: 3 & Christian allusions
הוּא-עָשָׂנוּ וְלֹא אֲנַחְנוּ is the Masoretic Ketiv text of Ps. 100: 3, while the Qere text is הוּא-עָשָׂנוּ וְלוֹ אֲנַחְנוּ. The Ketiv text (which is difficilior, it seems) is supported by the LXX: αυτος εποιησεν ημας και ουχ ημεις·
I want to draw your attention to two possible allusions to the verse in Christian writings. One of them to the Ketiv text, the other to Qere. Interesting enough both seem to address the relationship between Father and Son.
Qere: 1 Cor. 8:6 αλλ ημιν εις Θεος ο πατηρ, εξ ου τα παντα και ημεις εις αυτον ( וְלוֹ אֲנַחְנוּ), και εις Κυριος Ιησους Χριστος, δι ου τα παντα και ημεις δι αυτου.
Ketiv: Odes of Solomon 7: 12 (Translation of Charlesworth) "He has allowed Him to appear to them that are His own; in order that they may recognize Him that made them, and not suppose that they came of themselves (וְלֹא אֲנַחְנוּ )."
I was tempted to read in the Odes passage an allusion to both Ketiv ("they came [not] of themselves") and Qere ("that are His own"), but this second phrase may represent עַמּוֹ rather than וְלוֹ אֲנַחְנוּ.
Sorry I couldn't find a Syriac font to get the transmitted text of the Odes on the screen. (PJW may know a solution?)
I want to draw your attention to two possible allusions to the verse in Christian writings. One of them to the Ketiv text, the other to Qere. Interesting enough both seem to address the relationship between Father and Son.
Qere: 1 Cor. 8:6 αλλ ημιν εις Θεος ο πατηρ, εξ ου τα παντα και ημεις εις αυτον ( וְלוֹ אֲנַחְנוּ), και εις Κυριος Ιησους Χριστος, δι ου τα παντα και ημεις δι αυτου.
Ketiv: Odes of Solomon 7: 12 (Translation of Charlesworth) "He has allowed Him to appear to them that are His own; in order that they may recognize Him that made them, and not suppose that they came of themselves (וְלֹא אֲנַחְנוּ )."
I was tempted to read in the Odes passage an allusion to both Ketiv ("they came [not] of themselves") and Qere ("that are His own"), but this second phrase may represent עַמּוֹ rather than וְלוֹ אֲנַחְנוּ.
Sorry I couldn't find a Syriac font to get the transmitted text of the Odes on the screen. (PJW may know a solution?)
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