This article has been updated (additions/substitutions in italics).
In 2009 Peter Head wrote
a short piece on this blog about the Artemidorus Papyrus.
There has been an endless debate over the authenticity of this
manuscript, purportedly a work by the first-century BCE geographer
Artemidorus, which was purchased in the early 2000s by an Italian
foundation related to a bank group for an unbelievable price of nearly
2.750.000 EUROS ($3,369,850). The papyrus was exhibited in 2006 and then
published in 2008 as
Il Papiro di Artemidoro by an Italian group
of scholars. However, a professor from Bari, Luciano Canfora argued at a
very early stage that it was a modern forgery, possibly by the infamous
19th century forger Constantin Simonides. So, there are two camps among
scholars, one defending its authenticity, one arguing that it is a
fake.
Now, the manuscript has surfaced in the news again, in Italian newspapers (
here,
for example), suggesting that the case is closed – the manuscript has been proven a
forgery. What is this fuss about? Apparently, there has been a
legal investigation and the prosecuting side, the Turin Public
Prosecutor’s Office has confirmed that the papyrus is a forgery, based
on investigations arranged by the Ministry of Cultural
Heritage (Ministero dei Beni Culturali). Well,
who did the prosecutors call in as expert? Answer: Luciano Canfora
& co, the one side that has argued for a forgery for many years.
In fact, the news article repeats Canfora’s hilarious proposal that “it is
most likely a 19th-century forgery attributed to the Greek Constantine
Simonides.” As one who has studied Simonides’ forged papyri (yes, I have
just submitted an article on the topic to a major journal), I must say
that the Artemidorus papyrus is nothing like the papyri we know were
forged by Simonides. I am ready to go to Italy to testify, just invite
me :-).
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What was more interesting than the old arguments by Canfora & co,
however, was the
anticipated “smoking gun” mentioned later on in the article, namely
tests of the ink.
There are no decisive evidence yet, but apparently,
preliminary
tests have supported the case for forgery (of course not specifically by
Simonides) rather than authenticity, as suggested by Piero Gastaldo, Secretary General of Compagnia di San Paolo, the foundation that bought the papyrus (related to the Turin bank that now owns it) just before he resigned. But what tests and when?
It is suggested that the ink composition is different from that which was
used in papyri from the first to the sixth century (it is unclear
whether they mean 1st century BCE here). Preliminary tests have detected zinc, and suggest that the fragments were placed on a metallic net that contained zinc,
and then treated with acids. There is,
however, no details of this testing, and it seems that the legal case is
already closed … this is interesting.
One of our anonymous readers explains that these facts of the case were presented far too long ago for anybody to be charged at this point. It was a personal investigation by a
judge who is now about to retire, and therefore "he had to publish his findings now or never. For this reason
the case is closed - without that judge following his personal interest
and no possibility of charging anybody, no one in the legal system will
not continue with the investigation."
In 2010, a Florence-based research group published the results of their tests on the Artemidorus papyrus in the journal
Radiocarbon vol 52 (2010): 356–63.
They tested both the writing material and the ink with various methods
including radiocarbon. There was nothing they could find to prove the
case for forgery – this is their conclusion:
C4 measurements have dated the papyrus to a period that
is compatible with the hypothesis of the papyrologists. However, this
result alone cannot be conclusive proof of the document’s authenticity.
Some have already commented that a blank ancient papyrus might
have been used to draw the inscriptions in the 19th century (even
though it seems unlikely that a forger used such a great support). The
ink analysis can add some important information: actually, all the
results support the idea of the originality of the scroll. It is true
that also in this case, someone has suggested that an expert forger
might have simulated the composition of an ancient ink. In any case, in
spite of and in addition to these results, discussion among the scholars
is ongoing, mostly based on philological and linguistic issues. It will
probably continue for a long time, at least until we are able to directly date theink (perhaps in the future!)
Finally, I should point out that there is a lot more to learn about ancient ink
on papyri. In fact, last year, a group of Danish scholars showed for the
first time that
carbon
black inks on ancient Egyptian papyri from different time periods and
geographical regions contain copper. This article was published in Nature.
I have recently learnt that my co-author Malcolm Choat, with whom I am
working on Simonides, with two colleagues has received funding from the
Australian Research Council (again!) for a project “to investigate the chemical composition of papyri from
ancient Egypt and their inks to identify scribes, date texts, detect
forgeries, match fragmentary texts, and illuminate environmental and
technological change.”
All I know is that the last word on Papyrus Artemidorus is not said.
Update 17/12/18: Luciano Canfora posted a link to the news article on the Papy-L discussion list. I then posed a question where we can read about the scientific analyses of the ink. From Canfora's reply (to me privately) it is clear that he did not know more than what the news article said (i.e., we have no further information about these tests).