Appreciating 11Q5: A Comparative Look at the Great Psalms Scroll

11Q5 (11QPsa), known as the Great Psalms Scroll, is on display at the Ronald Reagan Library in Simi Valley, CA. This exhibition has been made available by the Israelite Antiquities Authority and the sponsorship of The Lowell Milken Family Foundation. You can learn more about the exhibition here. I had the opportunity to visit the exhibit on Friday with my family and found it to be an enriching experience.

In this post, I’d like to discuss three (among many!) important features of this manuscript by way of comparing it to the more popular 1QIsaa. For a discussion on the textual nature of the manuscript, see my prior post here.

1) Writing Precision and Formatting
One of the most noticeable differences between 1QIsaa and 11QPsa is the approach to the writing block. A writing block is the rectangular shape created by the top and bottom horizontal lines and the right and left vertical lines (See Tov’s Scribal Practices pp. 82-108). The scribe of 11QPsa writes within the writing block while the scribe of 1QIsaa often transgresses it. Notice that the scribe of 11QPsa only goes beyond the left vertical line twice in col 7.

Compare this column to column 2 of 1QIsaa. Here the scribe transgresses the left vertical line in almost every line.

The lack of concern for the writing block is perhaps most pronounced where the scribe begins a word to the left of the vertical line. Although only one letter of the word remains (due to deterioration of the manuscript), the letter is clearly to the left of the writing block and the beginning of a new word. See an example of that here.

Similarly, sometimes the scribe of 1QIsaa begins a word and realizes he cannot complete it in the remaining space. In these instances, the scribe has recourse to some “less than ideal” procedures. For example, here he begins a word, realizes he cannot finish it, stops, and transcribes the word in its entirety at the start of the next line.



In another situation, the scribe crams the final portion of the word (a pronominal suffix) above the line.



This feature of writing in the writing block reflects to some degree the skill of the scribe. The scribe of 11QPsa was more skilled than the scribe of 1QIsaa, at least regarding the spacing of words.

2) Degree of Scribal Intervention
Both manuscripts display a different level of scribal intervention. 1QIsaa has an instance of scribal intervention every 4 lines while 11QPsa has an intervention every 9 lines. (See again Tov's Scribal Practices, pp. 332-335). Neither statical is very impressive to be sure. 

A brief survey of the columns indicates that the scribe(s) of 1QIsaa intervened in the text much more frequently than the scribe of 11QPsa. Here is a column from each respective manuscript for review.

 

3) The Paleography
The paleography is also different. Although not uncommon among biblical manuscripts, it is exciting to see the divine name written in paleo-Hebrew in 11QPsa rather than the Jewish-Aramaic Square Script.

Next, the script is clearly from different eras. Some features of 1QIsaa include inconsistent use of final letter forms in final position (and even final letter forms in non-final position). The letter forms of 1QIsaa are not consistent in size. The script of 11QPsa, however, uses final/non-final letters and represents the letter size consistency. Here are some specific letters for comparison.

See the different form of the samek. In 1QIsaa, the form is open at the bottom.



See the different size of the ayin. In 1QIsaa, the form is more truncated.

Notice the backyard tick at the top of the zayin in 11Q5. It is more pronounced than in 1QIsaa (usually).

Notice the length of the downward stroke of the yod and the nature of the letter's head. The letter form is longer and more angular in 11QPsa.

There are several fascinating features of 11QPsa. These are just three. I hope this post stimulates more work on this important manuscript and readies visitors for their visit to the Reagan Library Your visit will not disappoint.